Hi all! So we’re into the final month of the year. What a year it’s been! As we wind down for the year end holidays I’m continuing to work on new material, including the Fusion series. The work is an experimentation of colour, using a variety of acrylic paints and ink. In recent years there has been a growing acceptance that the healthcare environment can have a significant impact on a patient’s perception of their medical care and, in some cases, on their actual recovery. Health professionals explore the psychology of colour and how well-chosen hues on walls, floors and furniture can have a positive, or indeed negative, effect on a person’s health and wellbeing. The viewer is also encouraged to think about the relationships between tones and textures in paintings , how they provoke emotions and contribute to the therapeutic impact of colour.
Summer seems to have arrived and not fast enough! Looking forward to spending the time working on projects and building a new body of work. I’m also looking forward to attending some interesting, inspirational and thought provoking shows on both sides of the pond so very excited. Wishing you all a great day!
I am very happy to announce friend and fellow artist Kerry Zacharia will be exhibiting her first central London solo art exhibition near St Paul’s Cathedral from the 20th March to Friday, 6th April.
The theme for this show is London, entitled “London in Different Dimensions”. This exhibition will be hosted by The Salvation Army at their International Headquarters within their Gallery 101 space. The Private Viewing will be held from 5:30pm to 8:30pm on the 21st March.
In this exhibition, Kerry aims to engage her audience in a very decisive way with her expressive and highly individual graphic line style, taking them on a journey through familiar urban scenes of this great City of London. They will experience how her everyday life, inspired by simple, uplifting and sometimes spiritual moments, has been turned into a unique collection of paintings. Her London art is deeper than the instant connection it forms, especially when closely observed her audience will be guided via the energy of her lines, allowing for any mysteries to unfold and connections to be formed, thus making the whole experience of viewing her art ‘different’.
Kerry was born and raised in North London and is of Greek-Cypriot ethnic origin. Creative talent was present in her as a child; however, her career took her on a different path. Her passion for art long remained and at the age of 53 she has managed to establish quite a following. As a self-taught artist, Kerry has not been influenced by any art training and relies on her own inspirations and inner vision to guide and develop her art practice. Her art is largely received as “different”, “energising” and “mysterious” and as her having a unique and recognisable style. Someone has described it as “Van Gogh from another dimension”.
In conjunction with this exhibition, Kerry will be running a fundraising event to raise awareness and money to help support the great work of The Salvation Army. People engaging in her fundraising event will not only be entitled to a generous discount on buying her original art, but will be helping Kerry raise even more money as her employer, Telereal Trillium, will ‘Charity Match’ her donations.
Kerry was happy to answer a few questions about the exhibition, her work and what’s planned for the future.
How long have you been a practicing artist?
I started painting with ink on painting around 2005 and took part in my first group exhibition in March 2014. I officially went public with my art on social media in October 2013.
Your work is very distinctive and appears to follow certain themes. Are there any artists who particularly inspire you?
I developed my own style over the years and recall early traits of my graphic linear style back to when I was at school but it wasn’t until I look to ink on paper that my style started to take shape evolve.
Being self-taught, my style is inspired from within and my everyday environments. I’ve always liked the old masters El Greco, Monet, Van Gogh, Seurat, Dali, Cezanne.
Many connect my art with Van Gogh but this happened naturally and not because I have studied his work or been particularly influenced by his art.
Please explain more about your work and the theme of the show?
Yes, I’ve entitled it “London in Different Dimensions” as the show not only captures the breadth of my London theme collection but also the different ways of looking at familiar urban scenes through a number of sub-sets.
These paintings have been naturally inspired by simple and sometimes spiritual moments that I have experienced in my everyday life. The viewer will certainly be transported via a unique artistic journey through this great city. Many of the paintings are inspired around the city because that is where I work and I always find spiritual inspiration when I’m near St Paul’s Cathedral. I’m absolutely delighted to be able to show these paintings just around the corner from there at The Salvation Army International Headquarters.
So what’s your connection with the Salvation Army?
It has been my main goal to get my London theme collection under one roof in a solo exhibition in central London and to combine it with the ‘art of giving’. It all fell into place when I became associated with The Salvation Army during a group show at their Gallery 101 space, September 2017. I have since become more familiar with the great work they do. I set up a fundraising campaign on ‘Just Giving’ to run in conjunction with my solo show to raise awareness and money in two key areas of their work, homelessness and modern-day slavery i.e. human trafficking.
I believe this is your first solo show in London?
This is my first solo show in central London. I also had a smaller similar themed solo show near to where I live in North London, June 2015.
What other plans do you have for 2018?
I’m currently working on a new body of art inspired by family and faith, which I hope to exhibit 2019/2020. I’ve no other planned shows although I would be looking for a suitable opportunity to exhibit a recent contemporary series, entitled ‘Open the Door’ later in the year.
The exhibition is at Gallery 101, The Salvation Army International Headquarters, 101 Queen Victoria Street, London, EC4V 4EH. Open Monday to Friday 8:30am to 4:30pm (closed Good Friday/Easter Monday). Nearest Stations: Blackfriars, Mansion House and St Paul’s. Click here for Gallery 101 details. Kerry will be available most days at the show, contact Kerry to arrange an appointment.
Contact details: mobile 07976 742692; for all enquiries and to RSVP for Private View email firstname.lastname@example.org; to learn more about Kerry Zacharia and her art practice visit www.artistkerryzacharia.com
Hoping you’re all well and the year is being good to you so far. I’m happy to announce that I’m participating in Unfold, the forthcoming exhibition at London’s Espacio Gallery. I’ll be exhibiting some of my recent figurative work which I hope you’ll like. The exhibition is a fascinating journey into the creative mind of several artists. It reveals the creative processes that are essential to the development of their art. They allow the viewer a glimpse into sources of inspiration, and invite the onlooker to watch their ideas unfold, evolve and eventually develop into finished works.
The exhibition, curated by Carlos de Lins, showcases a variety of interpretations and mediums reflecting their different styles. The private viewing is on Thursday 1st February. The show runs from January 30th to February 11th 2018.
Featured artists are:
Tanaz Assefi, Elena Brand, Andrea Coltman, Evaldas Gulbinas, Ekaterini Koliakou, Charvi Jain, Benjamin Nyari, Renee Rilexie, Pierre Verluca, Claire Weinstock, Sara Wickenden, Lewis Albert Williams
For further info please visit the gallery website.
This week I had the pleasure to meet conceptual abstract artist Mahlia Amatina at the Menier Gallery near London Bridge. Until this weekend, you’re invited to visit Around the World in 80 Washing Lines, an interactive autism-friendly art exhibition depicting unique washing lines across the globe. The exhibition will tour both galleries and launderettes in the South of England, inviting visitors to discover the story behind each garment and washing line. The exhibition will also feature free, educational workshops for primary school children.
Around the World in 80 Washing Lines explores the connections and similarities of each washing line using a combination of photographs, textiles and a multi-sensory catalogue of effects including touch, smell and sound. Artist Malia Amatina explains the reason behind the project; “The project started as a means to highlight similarities between us as human beings, in a world where we often focus on differences. The universal washing line is a perfect means to do this: we all have laundry to do; irrespective of who, what or where we are in the world.”
Visitors can interact with each installation of clothes and get a glimpse of the person behind the garment by reading a short blog with real quotations. The exhibition reaches out to a wide and diverse audience, including those suffering with autism, alongside those to whom art is not fully accessible. As an autistic artist, Mahlia is keen to create an exhibition that is appealing and available to those across the spectrum. The campaign has already gained fantastic acknowledgment thus far having been recognised for its charitable efforts by the prestigious Arts Council, receiving funding earlier this year. The project has also recently been backed by The National Autistic Society.
For further information about the Around the World in 80 Washing Lines exhibition or Mahlia Amatina’s artwork please get in touch with Mahlia Amatina on email@example.com or 07725 366966, or Jessica Alley at Little Red Rooster on firstname.lastname@example.org or on 07506756914.
I believe creativity is in each of us. Moreover, as we self-explore, we discover mediums of art that capture our interests whilst nurturing our inner most talents. It’s great when others are able to see this and admire the results. One person who illustrates the ability to develop an artistic skill is Paul Fletcher. I had the pleasure of befriending Paul during our work with the Royal Institute of British Architects and been friends ever since. He’s always been creative but now I’ve witnessed his transformation into a very talented but humble photographer. It’s been a privilege to have him answer a few questions regarding his wonderful work and what’s next on the horizon.
I see you as an artist but I recall your hesitancy in describing yourself as one. Why was that and how would you describe yourself now?
I remain unable to refer to myself as an artist, I struggled for sometime to even consider myself as a photographer. This because I know that simply owning a camera does not make someone a photographer. Equally as I’m entirely self taught it also seemed somewhat of an exaggeration to call myself ‘photographer’.
However, having now commissions to work as a photographer and even having a few pieces hang in a gallery it would be false modesty to not accept that I am a photographer. I still cannot consider myself an artist however.
How did you get into photography?
In winter 2014 I bought my first camera, a secondhand analogue rangefinder. I bought this because my son, who was studying A-level photography and was due to stay with me for Christmas. I thought it would be a great idea to learn how to shoot over that holiday with my son, a good bonding activity. Unfortunately my son did not come to stay. However I did start a stumbling journey to teach myself how to use a camera and more so begin the journey of learning how to make a photograph. During 2015 I shot infrequently and inconsistently, probably no more than 20 rolls of film in the whole year. Early in 2016 I traded my film camera for a digital camera (primarily so I could shoot more often and see the results more immediately).
All artists find their chosen medium therapeutic but how has photography helped you?
This is very real for me. Coincidently at about the same time as buying my first camera I was diagnosed with a chronic illness, type 2 bipolar disorder. During 2015 I experienced a period of deep and prolonged depression (6 months). During this period I shot very infrequently. In an up period early 2016 I traded the film camera for a digital one. I shot much more frequently for several months. But what I shot was clumsy and not very good, I now consider what I was doing then as forced and was very much about taking. I was trying too hard to be a photographer. In the summer of that year I again fell into a very deep period of depression, I became trapped alone at home losing my interest in photography and even living at the darkest times. This caused concern for my friends and one suggested to get me out of the house and engaging with others I should reawaken my interest to photography and join some groups.
After some persuasion I did this and by late July I was shooting again, with groups who would meet a few times a month. In late August 2016 I entered a ‘Street Photography’ competition, intending to learn. Much too my surprise I won a couple of the categories and was even acknowledged for one of the best shots of the competition. However my period of depression continued, I was learning that it was not circumstantial but a disorder in my head over which I had very little control. Friends insisted that I keep shooting as 2016 closed and 2017 began I was shooting almost everyday. I was also finding such practice therapeutic. Unknowingly I was shooting from my heart, not my head. This allowed a new form of expression and creativity to begin to emerge. Even more significantly it offered me a new way to interact with people. In August 2016 I was capturing people in candid ways, almost in stealth. By January 2017 I was making as many permissive captures as candid ones. Through these real world interactions and what I was beginning to post on social media people started to show interest in my photography.
In February 2017 when the depressed period lifted the interested seemed to grow somewhat exponentially. I was hanging a few pieces in a gallery exhibition and I was getting paid commissions for fashion and portraiture shoots. However this initial ‘success’ was derailed by yet another period of depression in late July. At this point I reverted to my default of walking about London, making photographs of what I found and using the camera to give me some form of respite from the chronic illness I battle. This period was different though. It was less intense and as it happened briefer, about three months. That I believe is likely because of a combination of factors; finding medication that I can tolerate, my acceptance and growing understanding of the illness and what I now know to be very true – that photography is good for me, possibly essential to my wellbeing. Today I am comfortable referring to my photography as ‘my work’ and I endeavour that everything I do is more ‘make’ than ‘take’. It is not an exaggeration to say that photography has saved my life.
As you develop your photography, are there any areas or particular themes you’d like to explore?
My interest remains with people, especially people in the urban environment. Candid capture and permissive making of photographs. I consider how I’m developing as something I call ‘Urban Anthropology’ as that is what I’m doing – studying humans in the city as they live their day to day lives. I am particularly interested developing stories about those who are increasingly forgotten by society; the elderly, the homeless and those with mental illness (a very personal thing for me). My commercial work has moved away from fashion as I soon found it to be disrespectful and demeaning of models, especially girls and exploitative of photographers and other creatives. My interest in portraiture is growing and this is the area in which I am looking to develop commissioned work. I am also occasionally exploring a form of photography that could be considered ‘fine art’ and may look to hang work in a gallery in the future. But I remain adamant that I am definitely not an artist!
We’ll have to disagree on that! Are there any photographers you are particularly influenced by and why?
There are two types of photographer that fit this, those whose work inspires me and those who I am fortunate to have got to know personally. Of the ones that inspire I would particularly Sally Mann, Mary Ellen Mark, Helmut Newton, Joel Meyerowitz and John Gay.
Colour or black and white photography- which do you prefer?
For my personal work it would seem that it is black and white. I self taught with black and white film, although when I switched to digital I did shoot colour predominantly for a period, today I have returned to black and white. In fact the digital camera I use now only captures luminance and no hue! I also have a film camera again, which is almost always loaded with black and white film.
I’ve known you for a while now, particularly in your former capacity as an architect. I know you have always worked passionately to improve society’s appreciation of civic space. Is this something your photography also captures or contribute towards?
No. I’m more interested in people that the constructs that contain them, whether that be civic space or buildings. You are correct that I strived to create the best spaces for people whilst an architect, however when I realised some years ago that all spaces and buildings, as the product of the property industry, are nothing more than commodity traded for financial return. People simply do not matter, regardless of the rhetoric. At this point my trajectory out of that industry had begun. Formally surrendering my professional status as an architect in 2016 was made as protest against architects being merely ‘building stylists’ with next to no influence over the role of the built environment to enhance society. I could not pretend any longer.
What projects are you currently working on?
Hmmm, nothing specific. I am exploring where ‘Urban Anthropology’ might lead and recently have found myself making landscape photographs, who knows where it might lead? All I know is that I must remain to be led by heart and not head.
I wish Paul continued success and look forward to seeing more of his excellent work. For further information on Paul, please visit his official website.
Saying hi and hoping you’re having a healthy, happy and positive week so far.
I’m looking forward to being in London this week for the EFG London Jazz Festival. Again, the line-up includes a number of great artists including Herbie Hancock, Marcus Miller, Dee Dee Bridgewater, Pat Metheny and Robert Glasper.
Celebrating its 10th year, the Festival’s signature opening-night gala showcases a stellar cast of voices performing incredible tunes in this celebration of singing and song. The list of past guests stretches from Boy George, Jacob Collier and Paloma Faith to Gregory Porter, Dee Dee Bridgewater and Kurt Elling.
Guy Barker’s 42-piece orchestra will provide the setting for a star-studded clutch of vocalists, including Seal, Liane Carroll, Mica Paris, Miles Mosley, Tony Momrelle, Vanessa Haynes, Angélique Kidjo and Mads Mathias in a spectacular celebration of the singer and the song, playing Guy’s arrangements that continue to thrill and surprise.
A great time to be in London, despite the cold weather! For further info please visit the official London Jazz Festival website.